Edge of the World: Photos of SoCal’s Skate, Beach and Punk Scenes, 1969 – 1982

March 21, 2015 at 15:42 (Uncategorized)

TIME

For countless fans, the names of the independent record labels that released so much of the most urgent and most original punk, hardcore and post-punk of the 1980s and ’90s are as familiar as the bands they first signed, recorded and unleashed on the world. Just glimpsing, say, a Homestead, Twin/Tone, Rough Trade, Matador or Lookout logo immediately brings to mind bands as diverse as Sebadoh, the Replacements, the Pixies, Guided by Voices, the Fall, Mudhoney, Green Day, Gang Green, the Lyres, the Misfits and a thousand other long-gone and, in a few improbable cases, still-thriving acts.

Then there was Greg Ginn’s SST Records. With albums, EPs and singles from bands like Black Flag, the Minutemen, Soundgarden, the Meat Puppets, Sonic Youth and the mighty, indispensable Hüsker Dü, SST was arguably the most influential indie label of them all.

Now, the main man behind so many of SST’s…

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